The font includes a stylistic set and it suits creative titling on both web and print. Fenoon is an Arabic display font that is inspired by the ancient Square Kufic script. It features two weights and it suits visual identity design, art events, packaging and contemporary art projects.
Takween is an Arabic display font that is inspired by the Mashrequi writing style. The word Takween is Arabic for composition. The font mainly suits typographic compositions, ornamental designs, and abstracts. It also suits branding, print, and web design. Letter forms feature a solid geometric structure with edgy terminals which come in two styles Normal and Oblique. Mawzoon suits a various range of creative projects including print, web, advertising, and mobile applications.
Tawasul is an Arabic font that is inspired by Arabic folklore. The font simulates the unskillfully writing styles on things like pilgrimage paintings and old Arabic manuscripts. The font is suitable for design projects which require an impression of authentic Arabic style including web and print.
Aqlaam is an Arabic typeface with rounded letterforms. It is mainly designed for public advertising and publication and it comes in 6 different weights; thin, light, regular, medium, bold and outlined bold. Stroke contrast is low, but there is still some modulation at junctures, keeping typographic color from getting too dark.
A multilingual type family that features a modern Arabic Naskh with very short descenders and ascenders, which matches with a full-caps Latin counterpart. Molsaq is an Arabic script font perfect for setting applications that require tight leading, such as posters, hence the name, which means poster in Arabic.
With glyphs, Molsaq Pro supports Arabic, Farsi, Urdu, and Kurdish, it also supports more than 60 languages that use the Latin script. Molsaq Pro comes with many Opentype features such as stylistic alternates, ligatures, swashes, and small caps. Molsaq Latin includes all the Opentype features and the full languages support, except for the Arabic script. Diodrum Arabic is a low-contrast Naskh family with six weights. Arabic typically places a stronger emphasis on the horizontal than the Latin script does.
Find these great calligraphy fonts online. It is a Bold headline font, in 1 weight. This font is a contribution to the modernization of Arabic typography , gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility.
Oustad Arabic supports Arabic, Persian, and Urdu. The design is an evolution of Arabic calligraphic designs that combines Naskh and Nastaliq to form a backward slanted calligraphic style. The character proportions refer to Naskh traditions but the isolated and final forms bring with them an exaggerated swash-like movement that references the extravagant ascenders and descenders of Zapfino. The font contains a large number of contextual variants that work to create a smooth flow of pen movement, as well as 10 stylistic sets.
The character set supports the Arabic language as well as basic Latin. Zapfino Arabic is meant to be used as a display typeface, for logos, greeting cards, and short headlines. It could also work for short pieces of text, for poetry or chapter introductions, when used in a generous type size and with ample space around it. Its design is soft and elegant and leaves a lot of room for typographic playfulness. Nuyork Arabic was designed to emphasize the individual Arabic letter visual traditional characteristics.
Including 5 weights, it was designed with both text and display applications in mind. This font is intended to produce virtually cursive texts without eliminating the clarity or look-and-feel of the individual Arabic letters. Offering glyphs for the full Extended Arabic Unicode Standards 6. Careful design considerations were given to make sure that composed Arabetic text is visually prominent and stands well next to Latin.
To ensure legibility in all sizes, vertical strokes are emphasized when possible, while utilizing multiple x-heights to give a traditional Arabian look. For the first time -back in a contemporary Arabic equivalent to a comprehensive DIN series of fonts was available. In fact, this set of fonts contains the most complete and powerful array of Arabic features commercially today.
It comes in eight weights and includes Latin. It is also enhanced with 30 advanced OpenType features and kerning for all languages. NaNa Arabic is a new creation of Naghi Naghashian. This innovation is a contribution to the modern Arabic fonts, giving the font design of Arabic letters real typographic arrangement and providing greater typographic flexibility. This step was necessary after more than two hundred years of relative stagnation in Arabic writing style. It also includes proportional and tabular numerals for the supported languages.
The design of this font family is inspired by two classic scripts: Kufic and Naskh. It comes in 5 different weights ranging from Light to Heavy which extends its usage capabilities considerably. The design is mono-linear and with the typical geometric construction associated with the Kufi style. Its usage can vary from headlines to logos to packaging.
Given its large counters, it can function quite well in very small sizes too. Afarat Ibn Blady by Barmee. Tagged as: Oriental , Arabic. Alhambra by Harold Lohner. Alhambra by Harold's Fonts. Arab Dances by Manfred Klein. Tagged as: Handwriting , Foreign , Arabic. Arabolical by Geoffrey Johnston. Tagged as: Handwriting , Script , Calligraphy , Arabic. Autography by scratchones.
Awesome Java by Adien Gunarta. Design your personalized caligraffiti with your own name or other sayings to decorate your room or a wall in your home. Naskh, Reqaa, Nastaliq scrips are being currently worked on and should be available soon. You can pick and choose your own fonts and create as many caligraffitis as you like - all for free! Arabic is native to more than three hundred million people around the globe - the language, as well as the Islamic script has and was influenced by many other, often Islamic cultures and languages like Urdu Pakistan , Persian and Farsi Iran, India or others, such as Sindhi India , Uyghur, Kirgiz Central Asia , Berber North Africa , Pashtun Afghanistan , Kurdish, Baluchi, Jawi and several African languages.
Writing any of these scripts in hand is a question of great skill and many hours, if not years of practice and a proud tradition throughout many cultures in the Middle East. Upload an InPage file that do not open Click here for more.. InPage Testing Contest Click here for more..
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